I thought you might like to see some more of the work I have been doing out in gorgeous Derbyshire landscape.
Yes, I went back to Winnats Pass a week after my last excursion, to have another go. I started with the drawing above, warming up with good old charcoal and a skinny stick of black conte, for the finer mark-making.
It wasn't an official SketchCrawl day, but I let people know that I was going, so was joined by a handful of other sketchers, who popped in and out during the day. Nice to have the company. We were all taken by this particular view - stunning stuff!
After lunch, once familiar with the lie of the land, I tried the same view again as an experiment, using Platignum writing ink (very water soluble), lots of water sploshing and then a wee bit of watercolour. The light had changed a bit by then though and we had lost those lovely long stripes of shadow:
I was interested in keeping the view basically representational, but creating a more abstracted and expressive interpretation of the shapes than the more literal drawing at the top. I got ink everywhere though, especially since the plastic pot I'd put it in had leaked. Black fingers again.
I did a watercolour next, from slightly further into the valley. I am still not entirely happy with the watercolours and very much still learning. The Peak District is the perfect place to practise though. So many beautiful shapes:
I was looking for a different view to finish, but didn't have time to climb to the far end of the valley and look back down, like I did last time, so I scaled the left side, to higher ground. There wasn't anywhere even vaguely flat to sit though and I had my work cut out, just stopping myself from sliding back down the steep slope! My rucksack kept trying to tip over and roll back down into the valley and I was sure that at any moment my brushes, water or palette would tumble away from me.
I managed to get a painting done before any mishap, though my poor bottom was totally dead by the end:
I am still learning how the watercolours work at this scale - it's very different to using them for the smaller urban sketches I am more used to. It was the patterns in the landscape which I was excited by. For me it is all about exaggerating shapes and pulling out colours, playing with marks and textures. Perhaps my early textiles training is still in there somewhere, trying to get out!
Here's how this one looks against the reality:
John had dropped me off in the morning and then spent the day hiking around the hills in the area. He arrived back in the valley while I was half way through this last painting, at the end of the afternoon, ready to take me to the pub for a well-earned dinner.
Another lovely and very productive day.
Another lovely and very productive day.
2 comments:
Absolutely love the charcoal drawing. Really dramatic (I mean that in a good way!) and powerful
Thanks Gemma.
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