Good news: at last, my voice has returned!! After 4 days of complete silence and a further 2 of sounding like an alien with a voice box, things are finally back to normal (or as normal as it gets).
To celebrate I'd like to offer you a sip of Champers, but instead, you'll have to make do with the final installment on the digital work for Bears on the Stairs...
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhO0oy-8MijDZaAJ4FhT4diZyc7hdV2p9pQJmHpRLOWLF4dXHWX9s9elfZo4AHtfD0ujuzVG4f_ze_KMtKXNCPzfjDZMakrJ6l6N6e2XJLBdfOlp0dSzWqLxeY-mR1hi1CwZTyI3YVFlANK/s400/digital-bear-bedroom.jpg)
You can never include any words on picture book artwork, because the book might need translating for foreign editions, so it's always done afterwards on a separate layer. Spot the blank red sign on the boy's bedroom door above.
On this detail from the rough, you can see what it will read when finished:
On this detail from the rough, you can see what it will read when finished:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg9TtVQhRBbSjgW4hwBCGSspDOuwofOG4IoAWDRSruGzAevSxrjv_jZaP77pjcxb0sidqjbShjefgRdfbVJXQ2RB1oLE3_bZ5sm6dKZqlf00jEOH2qlpABOoVIEEcDPZPdMqEPOOs2_n4BK/s400/digital-bear-door-rough.jpg)
Usually this wording is dropped in by the designer, when they do the regular text, but I like to mock up the pastel effect, to give the impression that the words have been done on the actual drawing, otherwise they can appear to 'float' above the illustration.
I scanned a sample of my textured pastel paper into the computer to create an identical 'virtual' paper. I can then draw onto this, in 'virtual pastels', using Corel Painter, and get the exact same texture as the original drawing:
I scanned a sample of my textured pastel paper into the computer to create an identical 'virtual' paper. I can then draw onto this, in 'virtual pastels', using Corel Painter, and get the exact same texture as the original drawing:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhQO6bXMdTK67pZklxn5ohJjHDHi0erJoxqHym5LonSKBCbPRAtAuge2KdfFPiTHPF8ZbtC0UHVwJR1sI_KcgfUT_VdslMcbYmpijk1zVJfYohjl4Ng8NGjHecGiDQ0WCUXGrqND7SCHbD4/s400/digital-door-patch-2.jpg)
As a guide, I paste the wording from my rough (above) onto a section from the artwork scan, then I write over it in my virtual pastel (on a seperate layer so it can be lifted off). This is what the overlay wording looks like on its own:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDfV_urSWpL4V18PKzVn9PBRoVvw3fmXHB1svafogiRg2NaUKLDsQXJ9tT2zbIV_xQnjL6EU_IL9_EKJewp6fdOj0fAgKq5ZIUwhvQCnkWKP8zULx_EhaBUwxqpAF3x-p2rRnftE4ZIQ6E/s400/digital-wording.jpg)
This can then be printed over the artwork on the English language version only, allowing for any number of translations to be inserted with impunity. Sneaky stuff eh?
4 comments:
Great Lynne. I will remember that in my next art work. Daisy
I would never have thought of doing it like that. does coral have a good 'pencil' tool too?
Oooh, that IS interesting! I have been asked to include text before in a Gaelic book, so I didn't know this! I've just done quite detailed roughs for a book of my own (with text!) so that's been a big help, ta!
Yes Cass - I find Corel Painter by far the best for different kinds of markmaking, rather than the very limited brushes available in Photoshop and Illustrator (last time I looked anyway). Painter has a truly vast range of 'brushes', including all different kinds of pencil, paint, charcoal, pen - you name it really!
And you can draw on a massive range of paper textures, or scan in your own.
You're welcome Veronica - bear in mind too that the text overlay needs to be in black too, so don't design anything that requires coloured wording.
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