For people to feel comfortable, it is vital that these workshops are fun and that results are acheivable. I need people to not only learn useful techniques, but to enjoy the session sufficiently that they are inspired to give things a go when they are on their own, with the SCARY blank page.
Then I asked people to see if they could see an image in the blobs and squiggles. The challenge was to use as few drawn marks as possible to turn the splodges into something. Love these funky birds:
Next, we played a game in pairs, where people took it in turns to add a mark to a shared painting, building up images which were initially abstract, but waiting for the suggestion of something representational to emerge. It's fun because people sometimes have different ideas of where it's going. You can choose to cooperate with your partner, or you can subvert their ideas as you see them emerging and deliberately take it off on a different track.
I asked people to use only 2 or 3 colours and to let the paint settle on its own, as before. Finally, to finish off with the minimal amount of line-work needed to make the object identifiable. This is my example apple and satsuma:
We suddenly ran out of time and everyone had to rush off, so I only got a photo of one person's painting, this gorgeous garlic. Quite a tricky thing to choose, particularly as an absolute beginner, but she did a fantastic job: