Tuesday, 16 February 2016

Boring Meeting? Not When You're Sketching!


As part of being Artist-in-Residence, I have more than once asked of I want to attend a meeting, some of them lasting an entire day. 



I don't know about you, but in my world, that's not normally something you would volunteer for, not when you don't need to. It's a very different story though, when you're there to create a visual record.


I have really enjoyed the challenge of trying to capture every speaker, with a little of what they were trying to get across:



If it's a full-day event, I set myself the additional target of filling an entire book before the end. This was a day-long meeting about Research Bids. I was very pleased with myself indeed, for getting it to fit perfectly on one concertina: 



Actually, I am finding the meetings themselves quite interesting. They are surprisingly varied. My difficulty is that, because I am deep in academia, a lot of the phrasing and terminology people use is hard to retain for long enough to get it written down. I think to myself 'That's a good sound-bite' and start to weave words around the images but then, 4 words in, the end of the sentence is already dissolving away! 



I've more and more been using paint to 'draw' with, or to splosh in as a coloured foundation, before I use a pencil or ink to refine things. It's so fast and so much easier if my subject is moving.



One of the other things that I enjoy about these meetings is that, although the Morgan Centre team are quite familiar now with what I'm up to, the wider community of the School of Sociology has a much vaguer idea, since many of them haven't seem me in action before. So, it's really good fun to scribble away in a corner all day then, at the end of a meeting, just before everyone leaves, to open my sketchbook out along a table, then watch people's faces. 



It's a sort of a ta-da! moment. To be honest, I love all the attention :-D


By the way: remember the sketchbook that I mounted on the wall in the studio a while ago out, as a test? Well, it was still up there, so I carefully slid it out of its little hooks and popped this new one in, just for fun:


It was surprisingly easy to do, which is very handy. I am so pleased with how they look when you mount them.


8 comments:

  1. Was that an A4 size of concertina (each sheet)? Looks big on the table. Lovely scenario with them all round the table!

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  2. It's not an A size as it's handmade, but it is nearer A5 than A4 when folded up.

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  3. Hi lynne!

    Just finished your book (pre-ordered the UK edition) and I absolutely love it!
    (Left you a review on Amazon too, first time I've done that in ages)
    In fact, I started re-reading it straight away, it's so lovely and so rich.

    Funnily enough, I'd 'discovered' the paint-first-then-draw method just before getting your book!
    It's great, takes the pressure off both stages somehow.
    The only trouble is sometimes that I have to wait for the paint to get dry before I can start drawing. Depending on the circumstances, that can take a while.
    What are your strategies for that?

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  4. I am SO pleased that you like my book! And a huge thank you for the Amazon review.

    Realised wet paint - use watercolour pencils for the line, as they work on wet paper :-)

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  5. Ha, yes, good point; guess I'll have to become better friends with my watercolour pencils!

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  6. (the 'unknown' was me also btw; I'm never quite sure when I'm logged in and when not...)

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  7. Thank you for your very good site….

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  8. You're welcome - glad you are enjoying the posts :-)

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